Found Us is a combination that is both original and dependable enough to hold your interest. Like in real life, sometimes the most unlikely alliances result in the best music. A person’s new strengths are revealed and their comfort zone is pushed by the odd couple, the unpredictable pairing.
I wouldn’t have shipped Joka and Elkay the Jaguar as a tag team because they find strength in their individual quirks rather than functioning as a seamless unit. Their collaboration’s brand-new song, FOUND US, strikes a balance between being both intriguing and dependable.
Joka & Elkay teamed up for found us
Both Joka and Elkay are from places with distinctive flows and rich scenes. The thickest English accent belongs to Joka, who also has a strong drawl on the vowels that gives his frequently used singing style a syrupy texture that seeps out slowly like molasses. Elkay’s delivery exemplifies the distinctive relentlessness of New wave hardcore rap, just as it did on his previous single “CONFIDENCE,” and on FOUND US, he hardly lets up to deliver a vivacious yet infused lingual verse and chorus.
I’ m lucky they found us. We running the game like ford cars.
Joka
The title FOUND US is surprisingly literal, as a project that splits the difference between Underground new wave rap and the ongoing illusion for rap music. Despite their varied delivery styles, the artists share a similar sense of hunger and growth. When Joka and Elkay are at their most symbiotic, it’s simple to understand why they are drawn to one another. Found Us achieves an uncommon balance, a fusion of styles without losing any of the distinctive regional flavor that makes Joka and Elkay each so alluring.
Artwork for Found Us
Even though there is room for reflection, the unlikely pair, two rappers who are constantly working to advance their careers, find much to celebrate through their alliance. The most triumphant parts of Found Us shows both artists looking over their respective kingdoms with a hunger still present because neither man takes what he has created for granted.
There are so many people really working hard each day to get out of hardships, pain and various miserable situations. But there’s come a point where we feel like quitting , tired of that life and all you can think of is killing oneself – hoping it will make one free from all the burdens. Waade and DJ KosGabby just want to remind you that you’re not alone, it’s not your fault – take it Easy.
DJ KosGabby
Trust God and continue to ask him “akyusa embeera ” – for he knows what comes before and after us , there’s no need to stress nor fuss over worldly things. Do not think of taking your life for that alone will only bring more problems to you, and those you leave behind.
#MentalHealth #Strongwill #conqueror
Waade
Waade continues to sharpen his pen and mind with thoughtful lyrics and emotional stories to inspire younger artists in the rap game.
Starting with a loud thump, signifying the burden of the perils around you, Waade makes his entrance with a wailing battle cry, calling on KosGabby to come and tackle these demon of depression. KosGabby lays heavy and depressed bouncy Diva pluck single key notes in E minor. Waade‘s vocals continue to ride up on top describing the perils as they lead to a succulent Moombahton cocktail of kick and snare drums with some reggaeton bias, symbolizing the several obstacles that keep hitting you from every side, every now n then.
Waade glides the chorus with deeply inciting vocals hoping you listen to the advice before it comes to the next verse, filled with ethereal vocal chops insinuating all the voices In your head that are pushing you to do away with your life. Waade is observed wailing together with thee “No, no, no” just to restrain you from going forward. He then shuts them out with a strong symbolic cry of “Do not kill yourself” just before KosGabby lays down heavenly airy piano keys that lead down to the outro. The drums die down and the diva pluck continues to play over surrounded by the keyscape piano before Waade seals of the track.
‘Easy’ is one of a kind
They say they made this AfroMoombahton stylicized simply because depressed people do not need to listen to depressing related music, so it’s why we put the message in a bouncy track.
Gabriel Herniel Kitutu popularly known as DJ KosGabby is a Gospel Trapper, Record Producer and DJ specialising in Trap, EDM, Gospel, and Afro-Beat Dancehall. His debut album BlackThunder , a Trap Gospel album, hit the waves in 2017 when he was only 16 years old. He did the majority of the production for the tracks and coursing the lyrics through most of them. The album features rappers Metrican , Malcolm De Urban, Saint Ella and various other producers.
The new DJ KosGabby Logo
Waade “formerly known as Brian Wade IP ” is a Ugandan rapper,Singer ,Producer touted to have a rap flow as slick as Lecrae (American hip hop artist) or Trip Lee (American hip hop artist).With a unique style and a smooth flexible flow. Waade cuts across the complexity of genres and eras with his music. On the journey to become one of the world’s best Artists and Africa’s finest . WAADE , is prolific and has worked on numerous music projects. He has collaborated with artists from Zambia,Nigeria, Malawi and South Africa. When it comes to music production, Waade has played a big part in his music production by producing, mixing and mastering most of his music
This EP is yet another testament to Joka’s brave artistry.
After over a month of anticipation, and a deliberate teasing of an EP release via infrequent social media posts, Ntale Joram released his third studio EP, Louder Actions Vol. 2 (stylised as LXXDXR XCTXXNS Vol. 2. Ntale “Joka” Joram, the Ugandan singer, music producer, and most importantly “FOCUS” crooner, has been a trailblazer in his own right. Finally, he emerges with LXXDXR XCTXXNS Vol. 2, his most anticipated body of work yet.
LXXDXR XCTXXNS Vol. 2 is an experimental five-track genre-blending project which has three features, and shows Joka exercising his sonic range and superb pen game. Joka has always been an outlier in the Ugandan music industry. On the EP, he sticks to being neutral as he embraces genres like Soul, Afrobeats and others to preach his message.
The melancholic track, “WXMXN,” opens the play. It is a hushed Afrobeat song which has a prominent kick, with rising and falling backups. On this track, Joka lets his guard down, becoming vulnerable when he talks about how an undisclosed woman makes him feel. This song was heavily inspired by Soundlykbb’s JOANITA and a careful listener can’t miss the muse once he listens to it.
The EP was released exclusively on Mwonya Stream App early in 2023.
In an industry where artistes follow the trend to crack up hit songs, Joka doesn’t follow suit. It shows a firm believer in his sound despite the noise of the industry or fans. This spirit is splashed on the remaining four tracks. Who is on his mind on track 2? According to Joka, initially the song idea was a clear definition of how Katumba Baker felt an undisclosed girl. Although some parts like the name of the girl didn’t make the cut, Joka and Baker shoulder the bulk of the song and deliver deliciously. Their vocals swim beautifully over the instrumentals, disguising clever, naughty wordplay with romantic, sugary melodies.
“XN MY MXND” is a soft and sweet offering that enlists the silky vocals of Katumba Baker. Wailing strings and a simple afrobeat drum pattern serve as the backdrop for a tale of enchantment to be spun. “On my mind, on my mind” Katumba Baker admits on the catchy chorus.
“XGXSLX” is a fantastic mix of emotions, feelings, and vibes. It is produced by Rack tide Executive producer, GEOX the producer. He bestows Joka with an instrumental in his signature style; a minimalist Afrobeats bop with energetic percussion-driven drums, thick bass runs, and sparse melodic phrases. On this song, Joka displays his mastery of melodies by once again adopting the sonic versatility heard in the first track WXMXN.
Joka is ready to stand alone.
He employs an array of rhythms and tones that keep the listener engrossed and engaged. His singing is surprisingly strong, with smooth vocals and rich supporting harmonies. The lyricism on this track is simple yet witty.
“XGXSLX” embraces lust and remorse at the same time. Joka sings the first verse as he talks about a woman’s beauty and body features not forgetting her chokehold on the creator’s craft. He further expresses desire to be the only choice of this female figure but is slow to act due to an undisclosed reason. Joka seems to be more expressive and appreciative on this particular afrobeat track. This song is mid-tempo, perhaps because of the theme.
On “PXXSXNXXS,” Geoxwill basks on his prowess: his innate ability to rap at the same time creates timeless melodies in a rather alpha male vocal tone. The chorus is delivered as smoothly as the verses and features heavenly choral supporting vocals that lend the song an outer space sensibility which Joka heavily deployed in the execution of this project. The song sees Joka and GEOXwill reminiscing on the folly, infidelity, and toxicity of an undisclosed girl at the same time exhibiting lusty ambitions regardless.
A screenshot of a fan’s favourite on the EP.
The kicker is that the song isn’t approached through the lens of regret, but more along the lines of a cautionary tale that espouses the way of the world. As such, the instrumental is rather upbeat and lively, featuring fast-paced Amapiano drums, pounding basses, and bright chords. He had his hands full on this particular song, and it’s difficult for him to fully articulate his points. He swirls from praising the girl to asking her if she is interested in him or not. “Woba gwe tonfuna ngamba toyagala ngende,” he says. In the next line, he expressed utter admiration for her beauty “ Coz your body is very very, very very good for me”. This song is chaotic, and this EP wouldn’t have been all the better without it.
The EP closes out with “BXNXNX’S XNTXRLXDX” which gets its name from the creative that executed it i.e. Meya Banana. This track is built on smooth chords, and clacking percussions. The original song was performed by Zulitums and this track in particular is a karaoke cover version. This particular track made the cut on this EP as a matter of faith. Joka met Meya Banana in the earlier days of their high school and their creative chemistry has been developing since. Although Joka is unheard on this track and it’s purely Banana from start to end, Joka has faith that the world needed to hear Banana for the soulful singer she can be.
On LXXDXR XCTXXNS Vol. 2, Joka breathes a fresh air to slow-rolling sounds, with his pen game meandering into a deeper state of mind. It’s a moving EP spiced with fresh music, different from what is obtainable in the Ugandan music industry right now. This EP shows Joka is not afraid to stand alone. It is another testament to his brave artistry as said earlier.
In Uganda, we have had a couple of female rappers take up the rap music scene that is widely dominated by their male counterparts. Keko seems to have pioneered this movement and now it is time to hand over the mantle to other talented ladies.
This time round, I present to you Marthabella who has just dropped something for you. Yes, a new project of hers titled Goosebumps. She is part of the urban music scene in Uganda which is a collective of young talented creative artists doing various styles and genres of music.
Marthabella wrote this song at a point in life when she was feeling so low
My name is Marthabella, I am a female rapper l started rapping back then when l was 17. l have got so many inspirations from hardworking women that l look up to. l rap about my life and what l feel so as to inspire myself in all that l do. l wrote Goosebumps at a time when l was feeling low and really needed inspiration so l wrote down something that motivates me and what people can relate to so I hope you enjoy as you listen to it.
Mumbah is an electronic dance song with a reggaeton vibe to it, more like tropical music. The song features a moombarton drum pattern which is quite a common sound in Latin music from South American continent. This track encompasses a variety of sounds that can appeal to various cultures across Europe, Latin America, Africa and the Middle East. One would typically describe it as a fusion between tropical house music and reggaeton as it contains elements that are characteristics of both styles.
DJ Arta is a Ugandan EDM Artist
I started making this song at a point in life where I was feeling so empty, I felt like the whole world was crushing down on me so I had all this anxiety and feelings of haste and worry. Nonetheless, it was those very moments that gave me this push to try again and do something better with my life. So I decided to start spending my nights in my bedroom music studio creating music and sometimes studying music. This is when I began producing Mumbah where I spent about a week composing the song. Once I was finished with the track, I was greatly pleased with my creation and so was eager to share with the DJ Arta community which is my fan base.
DJ Arta
I definitely would love them to hear the story behind this song and how it was created. Surprisingly, I now believe that it is at your lowest that you can produce or be your best and I think Mumbah is one of my best and favorite tracks. I would love to hear feedback from everyone who thankfully attempts to listen to this track as I love to hear comments about my artistic creations. I hope this song surprises you and makes you feel good in many ways.
A DJ Arta song album art
DJ Arta born Arthur Okuta is a Ugandan Independent EDM Artist, Producer & DJ. His music is characterized under the genres of Afro Dancehall, Moombahton & House. Having been inspired by Progressive House music, he finds a way to make happy dance music that is slowed down which he calls Afro EDM.
Tera Nitric, a budding electronic music artist from East Africa is set to release yet another track titled ‘Bujagali’ which is a cultural and heritage site in the pearl of Africa.
The creative process for Bujagali was actually a thought I had for weeks. The title kept ringing in my head and I felt there was need to have a project depicting a short story/ tale or whatever it is I had heard about Bujagali during my years in Primary schools from various people. The deep male vocal in the second breakdown is actually an Artificial Intelligence (AI) generated vocal from texts he typed giving a brief story about Bujagali and it gave me good results. Instinctively, He convinced that this is his best Bigroom Track this year regarding the versatility and the dynamics within the track and that is all he can tell us.
Tera Nitric
Bujagali was believed to be a vessel of the spiritual and physical realm. A man that protected that walked on the Waters of the Nile. Bujagali died in 2019 at approximate age of 100 years old. He is believed to be the last of his lineage to have lived as a protector of the Bujagali Falls that form Part of River Nile. Bujagali Falls has been from the past years till present times a Tourist Attraction in Uganda.
Tera Nitric in his performance armour
Ideally, Tera Nitric made the track following a line of having gothic sounds as well as dark chords slapped within the track. So that is why people will listen to some goroovy breakdowns as well as the drop. The drop is heavy and filled with various elements that give the track a dark tone to portray the symbolism he wanted to achieve with this record. Additionally, he like to have a certain progression with my music so the first break down will be more of an intro with soft elements while gradually moving into the build up and drop and then the rest is really history.
Bujagali is dropping off Shift Axis Records which is to be his second single dropping off the label this year after the release of another Bigroom Track titled “Better Than You” Shift Axis Records has categorised the track as a Mainstage Bigroom track because of the unique sounds developed with in the project. I totally agree because I love Bigroom house as a sub-genre under EDM.
Bujagali draws its title from a cultural and heritage site in Uganda
As an EDM Artist, he follows a certain procedure while making his tracks especially when creating the drop. From time to time, he follows a “Call & Response” kind of melodic pattern so as to keep the listeners interested in the various sounds communicate with each other as though the instruments are holding a conversation. Since he cannot sing, making instrumental music is the way he communicates. Meanwhile, he believes he can sing and is waiting for the time to do so which may be soon. I hope you all like this song.
The Prologue is a separate introductory section of a literary, dramatic, or musical work. This record illuminates the vignettes of a 15-20-year-old Nyende grappling with transition, growth, confusion, and loss. It marks the beginning of a new chapter and revitalization of my faith in God. So much thought, meditation, and prayer went into this song. Creatively directing it from scratch to the final product is surreal.
Nyende has faith in God. Give glory to His name
“The Prologue Is all about my transformation since I last put out music. Realizing that everything you experience contributes to your learning process. At times I found myself thinking maybe I knew it all, but I didn’t. A very humbling epiphany that led me to a point where I felt more confident to ask for help when needed, know my place and make the right use of my curiosity. Learning not to take my low points personally, not to take them as end points, not to attach my ungraceful moments as every thing that defines me. Learning that there are still many pages I am yet to write, yet to see, not to let one bad chapter ruin what could be a beautiful book for myself.”
Nyende
The prologue album cover
“Learning that the presence of my struggles is not an indication of the absence of God and leaning to the truth that some of God’s greatest works are manifested amidst trouble & turmoil. It’s days like this where I’m reminded of God’s grace, all the times I almost quit making music, and all the times I wanted to settle for less. Life has a beautiful way of sorting things out and I’m so thankful to God for Drillz The Rapper, Meerster Rgm, Michelle, and S.I.L who have encouraged me through this process and have worked with me on the record. Realizing now this whole trip was all about a healthy closure. I’ve had peace while grieving and creating this track. Definitely the first of many.”
Sound engineer and producer, Fleak Type releases his first single titled ‘chop life,’ featuring the amazing rapper and singer ‘Shado.’ The amazing song is currently available on YouTube, only as a cover video. He is unwilling to keep you waiting for so long and intends to have it commercially released on all streaming platforms on 16th September, 2022. The track serves as the new anthem to one of the most remarkable raves in the night scene of kampala known as ‘chop life’ that occurs every Sunday evening and night in Kampala. Needless to say, the chop life event is hosted by the impressive ‘Sheilah Gashumba,’ a public figure in Uganda.
Fleak Type is an afrobeats music producer
Chop Life is a simple slogan that means enjoy life. Literally, this translates to spending money on the things you love as a way on enjoying this God given precious life we have here on planet earth. Instinctively, chopping life is associated with consuming good music, food, and alcohol but not limited to clubbing, partying, drinking, as well as chilling around friends and happy people who are sharing the same great experience. As people counting down their years on earth, they are living it away in good style and fashion to make it worthwhile.
Chop Life Cover Art
Waving at 105bpm, the track is a perfect and nicely done touch of afrobeats with underlying chill melodies that send a rush energy of excitement on the first listen leaving you wanting more and more with the afrobeats drum sounds that knock your excitement up to a whole new level. Chop life features Shado as the lead vocalist who punches through with genius lyrics that carry a melodic feel that is quite easy to sing along to, waves you to your feet and lyrics sticks easy in your heart. The song was written by Shado and produced by Fleak Type, who are the primary artists of this track.
Born 1995, Fleak Type is a sound engineer and producer known commonly for his cohesive and vibrant sound and melodies in both his songs and beats. Previously, he has worked with multiple Ugandan urban creatives in the music scene. These budding artists include: Mio, Kavali King, JWatts, Eli litman, Leo Kezi, DJ Arta, and is yet to work with many more of these young and talented creatives who are busy shaping the Ugandan music scene with diverse styles of music. Fleak Type is glad to be a part of the Ugandan urban music scene and community as he works to shape the new wave of Ugandan music.
“Hello, I would really love to appreciate you for the amazing work you do to fire up the music canons in the industry and keeping the energy in the music scene alive. I really hope you get the opportunity to check this out, I appreciate your time”
Joka’s second studio Forest Green EP is not just a rising pop star immaculate dance record but a rich celebration and appreciation of the new wave of Ugandan Music as it brings a variety of musical aspects with such a hungry spirit.
Over the last two years, every Joka (born Ntale Joram) project has become an integral part of the growth of the rising popstar. Though he hasn’t released a proper studio album since BLACK/WHITE in 2020, he has consistently dropped a number of singles and four studio EPs. All these projects have been dedicated to make it clear the he is intensely focused on celebrating the long legacy of Ugandan Urban Music and the afrobeat genre, of which he intends to be a part and a beacon.
Recall 2022’s Louder Actions, the first studio EP of Joka since signing for RackTide Records, in which he indelibly framed his afrobeat element remotely working with Nigerian producers Callie Majik and Oddz Youre a Bad Boy to deliver a massive 5-track project titled Forest Green EP that has kept the heads of fans on a swivel with tracks like Ntale and Banda freestyle still on rotation.
The Talented Joka
Joka is hooked on the feeling of self-expression since he looks at his music as a safe place, a place without judgment, a place to be free of perfectionism and overthinking. In turn, he pays homage to the true inspirations of the craft that he is now grooming and also celebrates the art of his peers with all due respect.
Forest Green is a feat of imagination, day dreaming about what could have been, capturing the feeling of thinking about all the places you wish you could have gone to, the people you could have been with while stuck at the unending passion of music creation. Unlike Joka’s previous projects, Forest green sticks to the dance floor exhibiting pure energy, propulsive BPMs and fuck-em-all strut. The love songs are almost entirely aimed at a real life persona and the lyrics are underpinned with a libidinous frankness.
Forest Green is a five track EP
CHRISTINA – The first track off the project was inspired by Parvin Makula who has been a fan of Joka’s craft since 2020. TULAGE(ft. GEOXwill) – Is the second track and only collaboration on the project and it features GEOXwill (born Muiri George) executive producer at RackTide Records who has a wide range of music production skills. MURDA ME – the third record was inspired by the South African amapiano groove. Producer Pingting (born Odongping Siraje) brings the flavor of log drums and grimy bases into Afrobeat shakers and kicks to produce an unheard vibe of alte music that you can all call Afro EDM.
MUNAKAMPALA – is the last track off the EP and was purely inspired by the beautiful girls that light up the nights of the capital city. Joka addresses the struggles of the rising popstar and how he is perceived by his peers of the opposite sex ever since his music went mainstream in digital stores as he quoted “Or she likes me for the stores with no figures my ngga but she donno my ngga”. To add salt to the sauce, he released his 2021 single MUWALA as a bonus track to the project. The entire project was produced by Pingting and mixed & mastered by Timothy Dylan.
Joka is an Ugandan urban music artist
Maybe Joka and his extensive array of producers and co-writers, which includes mainstream names like GEOXwill and Timothy Dylan as well as more underground producers like Pingting spent a couple of months digging for an unheard type of Afro music. It is hard to imagine that Joka has been able to go through the situations tackled in the EP.
Forest Green is inherently about feelings bottled in the dark, under strobes, sexual urges and most importantly the state of mind of the creator. Ultimately, it is an exciting execution of a command to be perceived again, without judgement as you can feel synapses coming back together one by one basking in the unfamiliar sensation of feeling good, if only for its 30 minute long duration.
Like all large beings were once mere embryos, all living elements have a defined growth pattern that they follow to yield into a purposeful composite. Being inspired by the power of how a small sacrifice into someone’s life can grow into a titanic load of good in the most unexpected way, Kyosiga by DJ KosGabby was created. Using melodies, she describes the nature of growth of those particular elements presented into the life of any being.
Kyosiga Album Art
Starting off with a simple coursing ambient melody complemented with euphoric vocals, the pre-hook entry is layered with filtered trombones made of heavenly synths that transcends one into a cheerful array of carefully plastered purity piano key notes that symbolize the planting of seed whilst watering the same – the act of giving. There is an immediate bridge buildup of upbeat UG-X Bounce drum percussions leading into the hook to showcase the excitement of the seed undergoing germination with all the inner components rushing and gushing and bringing life to the recipient. The chorus hits with a mad Stub followed by a dexterous aromatic mixture of House based effects and dance plugin sounds. One can’t fail to skip and jump to the arousing relay of the UG-X kadoodi, hi hats, congas, claps and heart lifting kicks. It totally takes one to a whole new level of embracement for Dance music. The second verse comes in with a somewhat vibrant energy showcasing the youth stage of growth tailored with the anxious desire for diversity from the kin. The simple gliding organ notes accompanied by a resounding Reese Bass symbolizes the friends and the elements that the key subject picks up along the way, moulding its definition as a whole. “Thinking about those days,” a statement that will live to be remembered in that, there was a genesis from where this all begun, oathing to always remember those days. Chaperoned with harmonious keyscape notes, the second verse transitions into the chorus with a lightrous drum build up followed by a short preview of the chorus for about 4 bars. There then, she drops into a trap sensation symbolizing the agile near adult life of the element. Filled with atmospheric mars sounds, its late transition into actual maturity is followed by an artfully saturated chord progression demonstrating the now true aging adult life of the element ready to give back, yielding to thee that sowed. That’s the power of Kyosiga.
DJ KosGabby
Gabriel Herniel Kitutu popularly known as DJ KosGabby is a Gospel Trapper, Record Producer and DJ specialising in Trap, EDM, Gospel, and Afro-Beat Dancehall. His debut album BlackThunder , a Trap Gospel album, hit the waves in 2017 when he was only 16 years. He did majority of the production for the tracks and coursing the lyrics through most of them. The album features rappers Metrican , Malcolm De Urban, Saint Ella and various other producers.
DJ KosGabby
He grew up in Jinja-Uganda alongside two siblings learning piano, drums and guitar from Church. It’s from where he began his journey as a DJ in 2012 for a gospel dance crew where he also was a crew dancer. His unprecedented creative mixing skills got him noticed by club and events managers, careering as an amateur DJ doing gigs and parties.
He continued up with the skill through to College from where he started his production career in 2015 during his Ordinary Level Education. He released his first track, a Remix of Million Stylez’s Miss Fatty which remains unpublished to date. He continued to become the shadow Entertainment minister (KosGabby) and college DJ, upping both his mixing and production skills through to the birth of BlackThunder. In 2019, he retired from turntabling to focus more on Production being inspired by gated synth producers like Timbaland, Alesso, Marshmello, John De Sohn and Nicky Romero causing him to develop a unique emotional dance music style showcased in his tracks Burnt Water, You or Me, False Awakening and most of his latest releases.
Tera Nitric
An EDM Producer/DJ from Uganda, with a couple of releases on underground EDM international labels. Not only is he talented but also hardworking. One cannot talk about Electronic Dance Music in Uganda and fail to hear his name surface or mentioned by someone in the crowd or crew. He has worked his way up and successfully released music with various underground EDM record labels in the US and Europe. Versatility is also one of his strengths as he can make various genres of music ranging from Bigroom house to Afro EDM, to even anything like Amapiano and UGX-bounce.
Tera Nitric Logo
The Story behind Kyosiga
Starting as a soundtrack intended for a feature film by the same name – that never made it out of the production house, DJ KosGabby conjured Kyosiga to fit the pleasure of giving. Intending to sound different from all other sound tracks created before, he intended to give it an African taste of production by building up the percussions being inspired by the kadoodi music artistry. Having cancelled release of the film, he cast the project upon the shelves to be long forgotten or so he thought. On one of his endeavors working with DJ Arta, KosGabby crossed paths with EDM Guru Tera Nitric, Epaphroditus Kerim – and after sharing a lot amongst each other, Tera revealed that he was working on developing a new sound in the EDM vicinity that would change and bridge a lot of music ethnicities world over. But little did DJ KosGabby know that what he had put away long gone on the shelves was exactly what Tera was talking about. Still unaware, the two planned to work together on several projects and after sharing production files including the Kyosiga project, Tera was so surprised to find a producer who understood exactly what he wanted to bring out to the world. Thus after some short excitement and a few late night activities, Kyosiga was born. The song will be released on 12th August, 2022.
Music Matters 